Dante's Inferno (1967 film)

Dante's Inferno
Judith Paris as Lizzie Siddal and Oliver Reed as Rossetti.
Genre	Costume drama
Written by	Austin Frazer
Directed by	Ken Russell
Starring	Oliver Reed Judith Paris Andrew Faulds Iza Teller Christopher Logue
Country of origin	United Kingdom
Original language(s)	English
No. of episodes	1
Production
Producer(s)	Ken Russell
Running time	90 minutes
Release
Original network	BBC1
Original release	22 December 1967 (1967-12-22)

Dante's Inferno: The Private Life of Dante Gabriel Rossetti, Poet and Painter (1967) is a feature-length 35mm film directed by Ken Russell and first screened on the BBC on 22 December 1967 as part of Omnibus. It quickly became a staple in cinemas in retrospectives of Russell's work. It tells of the relationship between the 19th-century artist and poet Dante Gabriel Rossetti and his model, Elizabeth Siddal.

The exhumation of Lizzie Siddal's desiccated body is seen, followed by a shot of Rossetti dancing among the flames of a bonfire of paintings by Reynolds and Gainsborough. A voice-over informs us that Rossetti is a founder of a revolutionary group of artists called the Pre-Raphaelite Brotherhood. The figure of the young Lizzie dressed as Joan of Arc appears above the flames.

Lizzie is seen modelling for Millais' Ophelia and for a painting of Joan by Rossetti. The voice-over states that she eats little and often throws it up. She and Rossetti spend several years together while he paints and draws her, but she spurns his sexual advances, even slashing him with a needle when he presses himself on her. Rossetti turns to the more accommodating Fanny Cornforth.

Lizzie is introduced to laudanum by Emma Brown to alleviate her stomach pain. She is advised by Christina Rossetti that Dante Gabriel needs a patron. Christina's voice-over speaks her poem In an Artist's Studio, about Lizzie. She tells Lizzie she looks ill. Rossetti and Christina visit William Holman Hunt, who is painting The Light of the World. Hunt asks Rossetti to look after his girlfriend Annie Miller while he is away in the Holy Land painting The Scapegoat, but Rossetti has an affair with her and Hunt spurns her on his return. John Ruskin visits Rossetti's studio and shows an interest in Lizzie's art.