D-Boy Rodriguez | |
---|---|
Birth name | Daniel Dimitri Rodriguez |
Born |
The Bronx, New York City, U.S. |
November 10, 1967
Died | October 6, 1990 Dallas, Texas, U.S. |
(aged 22)
Genres | Christian hip hop, hip hop |
Years active | 1989-1990 |
Labels | Frontline Records |
Daniel Dimitri Rodriguez (November 10, 1967 – October 6, 1990), alias D-Boy Rodriguez, was a Christian rap artist. He released two albums that received moderate commercial success, before being murdered in 1990. His third album was released posthumously.
Rodriguez saw rap music as a vehicle to reach inner-city youth in Dallas, Texas, through the Street Church Academy, a ministry founded in the Buckner Terrace area of Dallas in 1983 by his parents, former drug addicts Demi and Irma "Cookie" Rodriguez. The ministry was focused on anti-gang activities as well as fighting drug addictions among those who attended. Danny had been the Academy's first graduate.
Rodriguez was signed to Frontline Records, who released his debut album Plantin' a Seed in 1989. Christian blue-eyed soul singer Tim Miner was instrumental in creating the album in a technical role as well as assisting with songwriting, playing various instruments and singing background vocals on the disc. Miner's future wife Cindy Cruse also sang backing vocals. "Pick Yourself Up", co-written with Miner and Tommy Sims of White Heart hit No. 8 on Christian radio from the album. It would be the only song D-Boy ever charted.
Rodriguez' second album, 1990's Lyrical Strength of One Street Poet (street poet was Rodriguez' preferred term for himself rather than 'rapper') was one of the first in Christian rap to make extensive use of sampling, using soundbites from Pee-Wee Herman ("Nobody hipped me to that, dude..") and Bill Cosby ("Read your Bible..Bible states") along with musical elements from Sly and the Family Stone, Steve Miller Band, The Isley Brothers amongst others. The album also has an early appearance on backing vocals by Nicole Bruce, who after marrying Christian rocker David Mullen would go on to greater recognition as Nicole Mullen. It peaked at No. 35 on Billboard's CCM album chart in early 1991. Christian radio, however, was not ready for its more raw rap sound and it got little airplay.