Daniel Landin

Daniel Landin BSC, is a British cinematographer.

Landin started working with VHS video in 1978, collaborating with the industrial music group Throbbing Gristle, documenting live performances and art events. In 1979, he formed the experimental militant classicist group ‘Last Few Days’ with Simon Joyce and Keir Fraser, a highly conceptual collective whose primary aim was live performance in unconventional venues (chapels, cinemas, burger bars, silos, tunnels etc.). Recording was a secondary priority and was mainly live, apart from the ‘Polavision’ soundtrack produced by Cabaret Voltaire at their Western Works in Sheffield 1982.

As the performances became more ambitious, visual imagery became intrinsic to the events, and working on Super 8 and 16mm, Landin created films which were projected during performances. Confrontational events were staged at which synchronised films which were simultaneously projected onto multiple screens to accompany challenging and provocative live music, culminating in ‘The Occupied Europe Tour’, a collaboration between Last Few Days and Yugoslavia’s Laibach in 1983. (11 countries in Eastern and Western Europe). This experience of working extensively in the Socialist Bloc, and the study of Hungarian Language subsequently led to a commission co-writing The Rough Guide to Eastern Europe, (Routledge and Keegan Paul 1985) which was the first guide for the independent traveler in what was then a relatively unknown and misunderstood region.

Returning to the UK in 1985, Daniel Landin studied Fine Art Film and Video at St Martins School of Art, whilst working as a camera assistant and film extra (including a 3-month stretch in Kubrick’s Full Metal Jacket). After graduating, Daniel Landin directed several short films, including ‘A Broken Spine’, ‘Ring of Fire’ (with Kate Cragg), ‘Thou Pluckest Me Out Screaming’ and ‘The Child and the Saw’ (with Richard Heslop) (1st Prize ‘Golden Dancer’ Huesca Film Festival 1987 ), exhibiting at numerous festivals including Berlin Film Festival (Panorama)1986,1989,1990, Edinburgh and London. In 1986 Landin directed the film Procar in collaboration with Heslop and Herbert Verhey for live performances in Amsterdam with the Car Ensemble of the Netherlands. The film Procar later appeared in the programme of the Internationale Filmfestspiele Berlin 1987 with a remastered audio recording of the Car Ensemble as soundtrack.

In 1986 Landin directed the short film for Laibach's Drzava, a filmed performance of Laibach and Michael Clark at Saddlers Wells, London, based on Clark’s No Fire Escape In Hell.

In 1994 he was commissioned to make ‘Laibach, A Film From Slovenia’ dir Daniel Landin & Peter Vezjak. This documentary researched and illustrated the complex polemic of Laibach, and pivoted around the radical philosopher and Lacanian theorist Slavoj Zizek.

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