Dance with Me | ||||
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Studio album by T.S.O.L. | ||||
Released | 1981 | |||
Recorded | 1981 at Redondo Pacific Studios, Redondo Beach, California | |||
Genre | Hardcore punk, deathrock | |||
Length | 25:50 | |||
Label | Frontier (FLP004) | |||
Producer | Thom Wilson | |||
T.S.O.L. chronology | ||||
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Dance with Me is the first full-length album by the American hardcore punk band T.S.O.L. (True Sounds of Liberty), released in 1981 though Frontier Records. While the band's eponymously titled debut EP, released earlier that year, had been filled with radical leftist lyrics, Dance with Me moved away from politics in favor of horror film- and gothic-inspired subject matter. The album includes T.S.O.L.'s most well-known song, the necrophilia-themed "Code Blue". Following the punk rock revival of the 1990s, Dance with Me was re-released by Epitaph Records in 1996 and by Nitro Records in 2007.
Following the release of the T.S.O.L. EP through Posh Boy Records in spring 1981, T.S.O.L. moved to Frontier Records to record a full-length album. This led to a dispute with Posh Boy owner Robbie Fields, who claimed the band had not honored their commitment to record a second EP for his label. The issue was settled several years later, with the band received back payments of royalties from Posh Boy while the label was able to purchase the master recordings and publishing rights to T.S.O.L.'s 1982 EP Weathered Statues.
Dance with Me was recorded at Redondo Pacific Studios in Redondo Beach, California with record producer Thom Wilson, who was initially hesitant to work with T.S.O.L. because of their violent reputation: "I was very apprehensive about it," he recalled in 1998, "People said to me, 'Are you sure you want to do this? They beat people up.'" However, he found that the band members took the recording process seriously and worked hard, the lone quirk being singer Jack Grisham's insistence on sitting while he recorded his vocal tracks. Wilson engineered and mixed the recordings, and they were mastered at K Disc. Paintings by artist Mark Wassman were used for the front and back cover, while photos for the back cover and insert were taken by photographers Glen E. Friedman and Edward Colver.