Dance into the Light | ||||
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Studio album by Phil Collins | ||||
Released | 21 October 1996 (UK) | |||
Recorded | 1995 | |||
Genre | ||||
Length | 60:33 | |||
Label | Atlantic | |||
Producer | Phil Collins, Hugh Padgham | |||
Phil Collins chronology | ||||
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Singles from Dance into the Light | ||||
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2016 reissue cover | ||||
Recreated cover photograph, as part of Collins' 2016 studio album reissues
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Entertainment Weekly | C+ |
PopMatters |
Dance into the Light is the sixth solo studio album by English singer-songwriter Phil Collins. It was originally released on 21 October 1996 on the label Atlantic. It features guest backing vocalists, including Arnold McCuller, and Amy Keys. It was the first album that Collins released as a full-time solo artist, having left Genesis earlier that year.
The album was received negatively by the majority of music critics, while other reviewers noted good points to the album. It was also a commercial disappointment, and despite hitting No. 23 on the Billboard 200, the album became Collins' poorest selling album at the time (only 2002's Testify and 2010's Going Back sold less copies and charted worse). Dance into the Light was certified Gold in the U.S., selling 850,000 copies. The album was Collins' first to not contain any American Top 40 hits, with the title track only reaching No. 45 (although it cracked the top 10 in the UK). Collins would not chart again with an American Top 40 single until 1999's "You'll Be in My Heart", the main single from Disney's animated feature, Tarzan. However, six singles were issued from Dance into the Light: "Dance into the Light", "It's in Your Eyes", "You Ought to Know...", "No Matter Who", "Wear My Hat", and "The Same Moon". The former two singles were the only singles to make the Top 40, in the UK.
Despite the disappointing sales of the album, Collins' subsequent U.S. tour in support of the album, titled Trip into the Light World Tour, was one of the highest performing tours of the year, regularly selling out arenas across the country. This album also marked the studio debut of the Vine Street Horns, who had replaced the Phenix Horns on the Both Sides of the World Tour.