Dance Little Sister (The Rolling Stones song)
| "Dance Little Sister" | ||||||||||||
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| Single by The Rolling Stones | ||||||||||||
| from the album It's Only Rock 'n Roll | ||||||||||||
| Released | 25 October 1974 | |||||||||||
| Format | Single | |||||||||||
| Recorded | 20 February-3 March, 12 April-2 May, 4-27 May 1974 | |||||||||||
| Genre | Rock | |||||||||||
| Length | 4:11 | |||||||||||
| Label | Rolling Stones | |||||||||||
| Writer(s) | Mick Jagger and Keith Richards | |||||||||||
| Producer(s) | The Glimmer Twins | |||||||||||
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| 10 tracks |
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"Dance Little Sister" is a song written by Mick Jagger and Keith Richards that was first released on the Rolling Stones 1974 album It's Only Rock 'n Roll. It was also released as the B-side of the Rolling Stones single "Ain't Too Proud to Beg" and on several of their compilation albums.
The lyrics to "Dance Little Sister" have lead singer Jagger asking women in high heels and tight skirts to dance for him all night. Some of the lyrics refer to Mick and Bianca Jagger spending days in Trinidad watching cricket and spending the nights partying. These include:
On Saturday night we don't go home
We bacchanal, ain't no dawn
"Dance Little Sister" is driven by the guitars, and according to author Steve Appleford, Richards' "savage" rhythm guitar in particular. Appleford also credits some "excitable" lead guitar passages from Mick Taylor, "fierce" drumming from Charlie Watts and a "rolling bar room piano" part by Ian Stewart. Music critic Bill Janovitz describes it as "a nihilistic dance number," comparing its "world-negating ass-shaking, insistent rock 'n' roll beat" to the disco music which would emerge shortly after its release. According to music journalist James Hector, "Dance Little Sister" is a return to the type of "bar-room crowd pleasers" that the group used to record in the mid-1960s.
Allmusic critic Stephen Thomas Erlewine called it a "sharp, hard-driving album track" and "agreeable filler." But Appleford notes that while the song has "all the elements needed for the best kind of devil's music," the song "never fully erupts" or "clicks into a perfect groove." Hector describes the song's beginning, where "the guitar and drums struggle to find the exact groove" as precious, but feels the song goes "downhill" afterwards. Sean Egan finds the "industrial strength riff" to be "unattractive" and the rhythm to be "leaden."
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