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Daisies of the Galaxy

Daisies of the Galaxy
Eels-Daisies Of The Galaxy.JPG
Studio album by Eels
Released February 28, 2000 (2000-02-28)
Recorded 1998, March–May 1999
Genre Indie pop, indie rock
Length 44:18
Label DreamWorks
Producer E
Eels chronology
Electro-Shock Blues
(1998)
Daisies of the Galaxy
(2000)
Souljacker
(2001)
Singles from Daisies of the Galaxy
  1. "Mr. E's Beautiful Blues"
    Released: February 14, 2000
  2. "Flyswatter"
    Released: June 5, 2000
  3. "Jeannie's Diary"
    Released: 2000 (promo)
Professional ratings
Review scores
Source Rating
AllMusic 3/5 stars
Alternative Press 4/5
Entertainment Weekly A−
Los Angeles Times 3.5/4 stars
Melody Maker 4/5 stars
NME 9/10
Q 4/5 stars
Rolling Stone 3.5/5 stars
Spin 6/10
Uncut 4/5 stars

Daisies of the Galaxy is the third studio album by American band Eels. It was released on February 28, 2000 in the United Kingdom and March 14 in the United States by record label DreamWorks.

When the band's label requested that a clean version of "It's a Motherfucker" be recorded, the song was re-written as "It's a Monster Trucker", with modified lyrics and sound clips of lead singer Los Angeleno speaking "trucker lingo" on a CB radio.

"Mr. E's Beautiful Blues" peaked at No. 11 in the UK Singles Chart.

Daisies of the Galaxy received a generally favorable response from critics.

Fred Kovey of PopMatters called it "a fine pop record in an era that seems uninterested in pop unless it’s marketed with dance steps and a quicky [sic] bio. Though not the equal of the best work of Stephen Merritt [sic] or Elliot Smith [sic], Daisies of the Galaxy is worthy of attention by alterna-pop fans and anyone else desperate for catchy music for grown-ups."Stephen Thomas Erlewine of AllMusic wrote: "Unlike its predecessor, the album doesn't play like [E's] private diary; instead, it feels as if one is rummaging through his sketchbook. And, like many sketchbooks, some moments have blossomed, and others remain just intriguing, unformed ideas. For the dedicated, it's worth sifting through the album to find the keepers, since there are enough moments of quirky genius. But not all longtime fans will find this rewarding, since [E] has spent more time in creating mood than crafting songs. There are very few melodies that resonate like his best work, and the stripped-down, yet eccentric production – sounding much like a cross between Jon Brion and Beck – never feels realized."

In a retrospective review for Stylus Magazine, Ben Woolhead described Daisies of the Galaxy as "a very special collection of songs indeed".


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