Dag Wirén

Dag Ivar Wirén (15 October 1905 – 19 April 1986) was a Swedish composer.

Wirén was born at Striberg near Nora. His father had a roller blind factory, and there were various musical activities in the family home; he took piano lessons, and was a student at the Karolinska school in Örebro, and played the bass drum and celesta in the town orchestra.

Wirén studied at the from 1926 to 1931, which gave him much exposure to music from all periods; hearing Arthur Honegger's oratorio King David in 1927 was an important experience.

In 1932 he won the state stipend and used the award money to continue his studies in Paris, where he lived from 1931 to 1934. While there, he studied composition under the Russian composer Leonid Sabaneyev, though he admitted later that his endless attendance of concerts, and not his tutoring with Sabaneyev, had the greater impact on his own work. In Paris he met Igor Stravinsky (as well as his compatriot Gösta Nystroem) and was exposed to the music of Stravinsky, Sergei Prokofiev and the French composers of Les Six.

In 1934, Wirén moved to with his bride, the Irish cellist, Noel Franks, whom he had met in Paris; their daughter, Annika, was born in 1947. In 1937, the couple set up home permanently in Danderyd, just north of Stockholm. As well as composing, Wirén regularly played his main instrument, the piano, on Swedish Radio during the 1930s; he also devoted himself to chamber music in the 1930s and 40s; although he conducted in a recording of his Sinfonietta, he hated conducting. He was music critic at the "Svenska Morgonbladet" from 1938 to 1946, and in 1947 became Vice-Chairman of the Society of Swedish Composers. From 1948, he spent summers on the island of Björkö, in Stockholm's archipelago. He served as a member of the board of directors of the Royal Swedish Opera from 1962 to 1971. His TV ballet Den elaka drottningen (The Evil Queen) won the 1960 Prix Italia. He also wrote the music for the Swedish entry for the 1965 Eurovision Song Contest, Annorstädes vals (Absent Friend), sung by Ingvar Wixell. He retired from composing in 1970, commenting, "One should stop in time, while one still has time to stop in time."

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