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Daana Veera Soora Karna

Daana Veera Soora Karna
Daana Veera Soora Karna.jpg
Theatrical release poster
Directed by N. T. Rama Rao
Produced by N. T. Rama Rao
Written by Kondaveeti Venkatakavi (dialogues)
Screenplay by N. T. Rama Rao
Story by N. T. Rama Rao
Starring N. T. Rama Rao
Nandamuri Balakrishna
Nandamuri Harikrishna
Sharada
B. Saroja Devi
Prabha
Music by Pendyala Nageswara Rao
Cinematography Kannappa
Edited by G. D. Joshi
Production
company
Distributed by Mayuri
Release date
  • 14 January 1977 (1977-01-14)
Running time
236 minutes
Country India
Language Telugu
Budget 10 lakhs
Box office 2 Crore

Daana Veera Soora Karna is a 1977 Telugu Hindu mythological film produced and directed by N. T. Rama Rao by his Ramakrishna Cine Studios banner. Starring N. T. Rama Rao has played three roles: Karna, Duryodhana, and Krishna and also starred his sons Nandamuri Harikrishna and Nandamuri Balakrishna, who played the roles of Arjuna and Abhimanyu respectively. Music composed by Pendyala Nageswara Rao. The film recorded as Blockbuster at box office.

The story is based on life of Karna from Mahabharata

The film was completed in 43 working days, which was a record, given that each of the three characters played by N. T. Rama Rao (NTR) took at least three hours to put the makeup and two hours to remove it. NTR never used to see the rushes before the release; thus they edited the film within days, without seeing the rushes. Kannappa, who earlier worked for NTR's Manushulanta Okkate worked for this film, too. As there was no time for the work to be checked, one can notice the wire work in a couple of scenes, but the audience never bothered about that. Mayasabha work was not completed by the time of the shooting. So, NTR took close-ups while the paintings were done and long shots once it was completed, in order to save time. However, this detail did not reflect on the screen. Harikrishna and Balakrishna also painted the sets along with the art department personnel.

Many films were based on Mahabharata in Telugu; the difference between those films and this one is the characterization of Duryodhana. While making the Sree Krishna Pandaveeyam itself, NTR projected Duryodhana as 'Suyodhana' with a positive touch to the role. In this film, he projected Duryodhana as a well-educated person who knew dharma and other things much better than anyone. Some people even say that the title of the movie could actually have been Maanadhana Veera Suyodhana — such is the importance and characterization of Suyodhana.


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