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DSL


Digital subscriber line (DSL; originally digital subscriber loop) is a family of technologies that are used to transmit digital data over telephone lines. In telecommunications marketing, the term DSL is widely understood to mean asymmetric digital subscriber line (ADSL), the most commonly installed DSL technology, for Internet access. DSL service can be delivered simultaneously with wired telephone service on the same telephone line. This is possible because DSL uses higher frequency bands for data. On the customer premises, a DSL filter on each non-DSL outlet blocks any high-frequency interference to enable simultaneous use of the voice and DSL services.

The bit rate of consumer DSL services typically ranges from 256 kbit/s to over 100 Mbit/s in the direction to the customer (downstream), depending on DSL technology, line conditions, and service-level implementation. Bit rates of 1 Gbit/s have been reached in trials, but most homes are likely to be limited to 500-800 Mbit/s. In ADSL, the data throughout in the upstream direction (the direction to the service provider) is lower, hence the designation of asymmetric service. In symmetric digital subscriber line (SDSL) services, the downstream and upstream data rates are equal. Researchers at Bell Labs have reached speeds of 10 Gbit/s, while delivering 1 Gbit/s symmetrical broadband access services using traditional copper telephone lines. These higher speeds are lab results, however. A 2012 survey found that "DSL continues to be the dominant technology for broadband access" with 364.1 million subscribers worldwide.

For a long time it was thought that it was not possible to operate a conventional phone-line beyond low-speed limits (typically under 9600 bit/s). In the 1950s, ordinary twisted-pair telephone-cable often carried four megahertz (MHz) television signals between studios, suggesting that such lines would allow transmitting many megabits per second. One such circuit in the UK ran some ten miles (16 km) between the BBC studios in Newcastle-upon-Tyne and the Pontop Pike transmitting station. It was able to give the studios a low quality cue feed but not one suitable for transmission. However, these cables had other impairments besides Gaussian noise, preventing such rates from becoming practical in the field.


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