Dürer
| Albrecht Dürer | |
|---|---|
Self-Portrait at 28, 1500
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| Born |
21 May 1471 Nuremberg, Holy Roman Empire |
| Died | 6 April 1528 (aged 56) Nuremberg, Holy Roman Empire |
| Nationality | German |
| Known for | |
| Movement | High Renaissance |
Albrecht Dürer (/ˈdʊərər, ˈdjʊərər/;German: [ˈalbʁɛçt ˈdyːʁɐ]; 21 May 1471 – 6 April 1528) was a painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I.
His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.
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