Cybergoth

Cybergoth is a subculture that derives from elements of goth, raver, and rivethead fashion. Unlike traditional goths, Cybergoths primarily listen to electronic music more often than rock music.

While the term 'Cybergoth' was coined in 1988 in the United Kingdom, by Games Workshop, for their roleplaying game Dark Future, the fashion style did not emerge until a decade later. Valerie Steele quotes Julia Borden, who defines cybergoth as combining elements of industrial aesthetics with a style associated with "Gravers" (Gothic ravers). Gravers hybridized "the British Raver look and the NYC ClubKid look with a 'freak show' spin." This fusion between New York and London styles began in 1999. Borden indicates that initially the hair extensions and bright fishnets did not mesh well with goth fashion, but that by 2002 "the rave elements of dress were replaced by Industrial-influenced accessories, such as goggles, reflective clothing, and mostly black clothing." Steele summarizes:

Nancy Kilpatrick indicates that David Bowie's look in the 1970s is the initial inspiration for the style, and that Fritz Lang's Metropolis provided the prototype for cyber aesthetics.

Cybergoth fashion combines rave, rivethead, and goth fashion, as well as drawing inspiration from other forms of science fiction. Androgyny is common. The style sometimes features one starkly contrasting bright or neon-reactive theme color, such as red, blue, neon green, chrome, or pink, set against a basic, black gothic outfit. Matte or glossy black materials such as rubber and shiny black PVC can be mixed and matched in an effort to create a more artificial look.

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