Crossing of the Red Sea (Rosselli)
| The Crossing of the Red Sea | |
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| Artist | Domenico Ghirlandaio, Cosimo Rosselli or Biagio d'Antonio |
| Year | 1481–1482 |
| Type | Fresco |
| Dimensions | 350 cm × 572 cm (140 in × 225 in) |
| Location | Sistine Chapel, Rome |
The Crossing of the Red Sea is a fresco executed in 1481–1482 and located in the Sistine Chapel, Rome. Of uncertain attribution, it has been assigned to one between Domenico Ghirlandaio, Biagio d'Antonio or Cosimo Rosselli.
On 27 October 1480 several Florentine painters left for Rome, where they had been called as part of the reconciliation project between Lorenzo de' Medici, the de facto ruler of Florence, and Pope Sixtus IV. The Florentines started to work in the Sistine Chapel as early as the Spring of 1481, along with Pietro Perugino, who was already there.
The theme of the decoration was a parallel between the Stories of Moses and those of Christ, as a sign of continuity between the Old and the New Testament. A continuity also between the divine law of the Tables and the message of Jesus, who, in turn, chose Peter (the first alleged bishop of Rome) as his successor: this would finally result in a legitimation of the latter's successors, the popes of Rome.
Among the several fresco in the cycle, that of the Passage of the Red Sea was the one with the most problematic attribution. Although the name of Ghirlandaio was made by several authorities, the work's style is more reminiscent of that of Cosimo Rosselli or Biagio d'Antonio.
The scene is part of the chapel's Stories of Moses cycle, and, like other frescoes there, shows several scenes at the same time. The sequence begins from the right background, where Moses and Aaron are begging the pharaoh to free the Israelites. On the right are the Egyptian soldiers, shown in typical Italian Renaissance military garments, armor and weapons, who are drowning after the Red Sea waters, which had miraculously opened to allow the Israelites to cross them, close around them. The pharaoh is portrayed in a frantic scream, while other figures try to return to the Egyptian shore by swimming. Before the army is a column hovering over the waters: this is a representation of the fire pillar sent by Yahweh to scare the Egyptians.
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