Critical Art Ensemble

Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance. For CAE, tactical media is situational, ephemeral, and self-terminating. It encourages the use of any media that will engage a particular socio-political context in order to create molecular interventions and semiotic shocks that collectively could diminish the rising intensity of authoritarian culture.

Since its formation in 1987 in Tallahassee, Florida, CAE has been frequently invited to exhibit and perform projects examining issues surrounding information, communications and bio-technologies by museums and other cultural institutions. These include the Whitney Museum and the New Museum in NYC; the Corcoran Museum in Washington D.C.; the ICA, London; the MCA, Chicago; Schirn Kunsthalle, Frankfurt; Musée d’Art Moderne de la Ville de Paris; the London Museum of Natural History; Kunsthalle Luzern, and dOCUMENTA 13.

The collective has written 7 books, and its writings have been translated into 18 languages.

Its work has been covered by art journals, including Artforum, Kunstforum, and The Drama Review. Critical Art Ensemble is the recipient of awards, including the 2007 Andy Warhol Foundation Wynn Kramarsky Freedom of Artistic Expression Grant, the 2004 John Lansdown Award for Multimedia, and the 2004 Leonardo New Horizons Award for Innovation.

Formed in 1987, CAE's focus has been on the exploration of the intersections between art, critical theory, technology, and political activism. In 1986, Steve Kurtz and Steve Barnes began a collaboration to make low-tech videos with students. They credited each person who contributed to the productions under the signature of Critical Art Ensemble. During the summer of 1987, the group transformed into a broad-based artist and activist collective with six core members: Steve Kurtz, Steve Barnes, Dorian Burr, Beverly Schlee and Hope Kurtz. In 1987, the group’s first multimedia exhibitions were held at Club Nu in Miami and Pappy’s Lounge in Jackson, Mississippi. In 1988, the group’s first events are produced: Political Art In Florida? in collaboration with Group Material, and Frontier Production in collaboration with Thomas Lawson. In 1988-89, CAE begin to release their books of plagiarist text poetry (of which there are six in all). In 1989, the group collaborate with Gran Fury to release Cultural Vaccines, a multimedia event in Tallahassee, Florida, which critiques U.S. policy on HIV. In 1990, the group collaborated with Prostitutes of New York to create Peep Show which premiered at Window on Gaines in Tallahassee, Florida.

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