Cream of the Crop
| Cream of the Crop | ||||
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| Studio album by Diana Ross & the Supremes | ||||
| Released | November 3, 1969 | |||
| Recorded | 1966 (Blowin' in the Wind), 1969 (All other tracks) | |||
| Genre | Soul | |||
| Length | 31:40 | |||
| Label |
Motown MS 694 |
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| Producer | Johnny Bristol, Berry Gordy, others | |||
| Diana Ross & the Supremes chronology | ||||
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| Allmusic |    |
Cream of the Crop is the eighteenth studio album released by Diana Ross & the Supremes for the Motown label. It was the final regular Supremes studio album to feature lead singer Diana Ross. The album was released in November 1969, after the release and rising success of the hit single "Someday We'll Be Together." According to Motown data this album sold over 575,000 copies in the USA.
"Someday" was originally to have been released as Ross' first solo single (Ross is backed on the recording by session singers Maxine and Julia Waters, not the Supremes). Motown chief Berry Gordy appended the Supremes billing to the single so as to create more publicity for Ross' exit from the group.
Another selection of note is "The Young Folks" the charting b-side of "No Matter What Sign You Are" from Let the Sunshine In, later covered by The Jackson 5. Cream of the Crop also includes covers of songs by The Beatles ("Hey Jude") and Bob Dylan ("Blowin' in the Wind", also covered by Stevie Wonder). Since another Ross-led Supremes single or album had not been planned, Cream of the Crop was made up mostly of vaulted material. However, many songs such as those mentioned and "Shadows of Society" portend to a much more serious image for the group. "Love Child", the album was originally slated to be even more of a concept album where songs like "Shadows of Society", "The Young Folks" and the Top 10 hit, "I'm Livin' in Shame" were examples of a new image turn for the group had Ross remained in the group.
The lead #1 single, "Someday We'll Be Together" proved to be a multi-format smash winning back their black fan base while not alienating their pop audience. The previous singles had much more of a pop sound. Along with their increasingly polished pop image, the group found themselves at odds with the new black pride sweeping across America. So it was a befitting finale for "Someday We'll Be Together" to reunite both of their audiences after The Supremes had originally been credited with leading the pop crossover for black acts in the 1960s. As the final #1 single of the exciting but turbulent 1960s, "Someday We'll Be Together" would prove quite prophetic in many ways. Peddle forward to 1993, the Frankie Knuckles mix of "Someday We'll Be Together" would become the lead single from Diana's retrospective box set, "Forever Diana: Musical Memoirs".
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