"Crazy Man, Crazy" | ||||
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Single by Bill Haley and His Comets | ||||
Released | April 1953 | |||
Format | 78rpm, 45rpm | |||
Recorded | April 1953 | |||
Genre | Rock and roll | |||
Length | 2:07 | |||
Label | Essex Records, Essex 321 | |||
Songwriter(s) |
Bill Haley Marshall Lytle (uncredited) |
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Producer(s) | Dave Miller | |||
Bill Haley and His Comets singles chronology | ||||
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"Crazy Man, Crazy" was the title of an early rock and roll song written by, and first recorded by Bill Haley & His Comets in April 1953. It is notable as the first recognized rock and roll recording to appear on the national American musical charts, peaking at #12 on the Billboard Juke Box chart for the week ending June 20, 1953, and #11 for two weeks on the Cash Box chart beginning for the week of June 13. It is also believed to be the first rock and roll recording to be played on national television in the US. The use of a comma in the title varies from source to source, but is present on the original single release, which is credited to "Bill Haley with Haley's Comets," an early variant of the band's name.
The song was written by Bill Haley. Haley said in a 1967 interview with Vancouver, British Columbia DJ Red Robinson that he got the idea for the song from hearing popular catchphrases used by teenagers at school dances where he and his band performed. One of these phrases was "Crazy Man Crazy" while another was "Go, go, go, everybody!" (the latter also featured in a song called "Go Go Go" by The Treniers which music historian Jim Dawson suggests may have been an influence). Haley (and Marshall Lytle) incorporated both phrases into the song. He is said to have written it sitting at the kitchen table while his wife prepared lunch.
The song was recorded at Coastal Studios in New York City and was released soon after by Essex Records. Personnel on the recording included Haley's core Comets members (Lytle, Billy Williamson (steel guitar), and Johnny Grande (piano)), plus session musicians Art Ryerson (lead guitar) and Billy Gussak (drums). Also participating on backing vocals were Dave Miller (owner of Essex Records and Haley's producer) and Jerry Blaine, co-founder of Jubilee Records, who happened to be visiting the studio. (Miller and Blaine were recruited because of the need to create a rowdy party-like sound during the song's chorus and conclusion.) On May 23, 1953, the song entered the American Billboard chart and reached No. 12, becoming the first song generally recognised as rock and roll to be a pop hit. The record was the Top Debut on the Cashbox chart for the week of May 23, 1953, debuting at no. 19. This was also Haley's first national success and his first major success with an original song (prior to this he had had regional success with cover versions of "Rocket 88" and "Rock the Joint").