Crash | ||||
---|---|---|---|---|
Studio album by The Human League | ||||
Released | 8 September 1986 | |||
Recorded | 1986 | |||
Studio | Flyte Time Studios, Minneapolis | |||
Genre | Pop, R&B | |||
Length | 44:40 | |||
Label | Virgin (UK), A&M (US) | |||
Producer | Jimmy Jam and Terry Lewis | |||
The Human League chronology | ||||
|
||||
Singles from Crash | ||||
|
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic |
Crash is the fifth studio album by British synthpop band The Human League, released on 8 September 1986. Crash would provide the band with their second US number-one single, "Human", the same year. It was produced by the American production team of Jimmy Jam and Terry Lewis who also wrote several tracks.
After spending two years recording their fourth album Hysteria, which met with only moderate commercial success, the band struggled to record further material. By 1985, musician/songwriter Jo Callis had left the group. Virgin Records, worried by the lack of progress in one of their leading acts, called the band principals to a meeting where a solution was sought. As the problem was perceived to be the lack of production, it was suggested that the band take up an offer to work with Minneapolis based production duo Jimmy Jam and Terry Lewis. Jam and Lewis who had written for and produced The SOS Band, Cherrelle and Alexander O'Neal, and had just finished working on Janet Jackson's breakthrough album Control. They had developed an interest in The Human League after the success of their US releases; they were also seeking an opportunity to cross over into the mainstream pop and saw The Human League as the perfect opportunity.
In February 1986, The Human League were flown out to Minneapolis to work at Flyte Time Studios with Jam and Lewis. After initial enthusiasm on both sides the working relationship began to break down. Jam and Lewis had total control over the final album and insisted that their own tracks take precedence over the band's material. Jam and Lewis were also intolerant of the band's laid back working methods and their lack of musical technical ability.
After four months in Minneapolis, a sidelined Oakey pulled the band out of further recording and they returned to Sheffield leaving Jam and Lewis to complete the album using session musicians. Oakey said later: