Craig Barron | |
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Born | April 6, 1961 Berkeley, California, United States |
Occupation |
Creative director Visual effects supervisor Film historian Lecturer |
Years active | 1979 – present |
Awards | Academy Award, BAFTA Award, Emmy, VES Founders Award, Doctorate of Letters |
Website | Magnopus |
Craig Barron (born April 6, 1961) is an American creative director and film historian who specializes in seamless matte painting effects. Starting at Industrial Light & Magic, and at his own VFX studio, Matte World Digital, Barron worked on or supervised the crews to create the matte painting effects of more than a hundred films, including The Empire Strikes Back, Raiders of the Lost Ark, E.T. the Extra-Terrestrial, Titanic, Casino, Zodiac, Hugo, and The Curious Case of Benjamin Button, for which he won the Academy Award for best visual effects.
Barron is an AMPAS lecturer and exhibition curator, a TCM guest-host, and a University educator with a focus on the history and techniques of visual effects of classic studio films and the digital age. He's featured in documentary supplements for several Criterion Blue-Ray editions, demonstrating classic effects on films by Charlie Chaplin, Harold Lloyd and Alfred Hitchcock, using computer animations. He co-authored with Mark Cotta Vaz the first book on the history of movie matte-painting, The Invisible Art: The Legends of Movie Matte Painting.
Barron is the creative director at Magnopus, a visual development company in Los Angeles.
Barron began working at ILM in 1979 at age 18—then the youngest person at the studio—assisting with the matte-effects photography for George Lucas' The Empire Strikes Back. At ILM Barron would continue to composite matte-painting scenes on such landmark productions as Raiders of the Lost Ark (including the last shot of the secret government warehouse) and E.T. the Extra-Terrestrial. From 1984 to 1988 he was supervisor of photography at ILM’s matte department.