"Counting Bodies Like Sheep to the Rhythm of the War Drums" | |
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Front Cover of the single
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Promotional single by A Perfect Circle | |
from the album eMOTIVe | |
Released | September 28, 2004 |
Format | CD |
Genre | Industrial rock |
Length | 5:36 |
Label | Virgin |
Songwriter(s) | Maynard James Keenan, Billy Howerdel |
Producer(s) | A Perfect Circle |
"Counting Bodies Like Sheep to the Rhythm of the War Drums" is a promotional single by the American rock band A Perfect Circle, off of their third studio album Emotive. While the album primarily consists of cover songs, the track, along with the song lead single "Passive", were the only two original recordings. Containing many lyrical similarities with the track "Pet", from the previous album, Thirteenth Step, lead singer and lyricist Maynard James Keenan described the track as a continuation of the song. While the former refers to addiction, "Counting Bodies" focuses on political agendas. Mixed by Danny Lohner, the music is completely electronic and without any guitars. The song was used in numerous trailers and TV spots for movies, TV shows and video games including Fantastic Four, The Taking of Pelham 123, Rage,Missing, Gotham and House of Cards (U.S. TV series) in addition to the promo for UFC 167: St-Pierre vs Hendricks PPV.
The video of "Counting Bodies Like Sheep to the Rhythm of the War Drums" is an animated video, which deals with a political topic. The video begins with the classic peace symbol falling apart and falling from view. An oil derrick starts to turn, as blood slowly drips down the screen. In the next scene, a young boy climbing down from a tree meets a man who appears to be U.S. President George W. Bush riding a horse. The horse excretes a small television, and trots away. The boy sits down and watches the TV, and slowly turns into a sheep, as a plane flies behind and drops bombs in the background. Next, Bush walks into a classroom, carrying a small television. He places it down on the teacher's desk, and destroys the student's books. The video continues on in this manner until halfway through, when we see Bush sailing on a sea of blood. He enters a city dressed as a Roman Emperor and riding a sheep-driven chariot. After a moment, he then appears in a tank. As he progresses through the city, televisions fall out of windows, forming a sort of road for Bush.