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Counterculture of the 1960s

External video
Mario Savio's "Bodies Upon The Gears" Speech (excerpt) on YouTube
External video
Counterculture technology prodigy and Apple co-founder Steve Jobs' 2005 Commencement Address at Stanford University on YouTube
External video
2014: 1960s-Era Counterculture [2] University professors and authors Alice Echols and David Farber discuss the content and legacy of the counterculture on C-SPAN.
External video
1968: "Beat" author Jack Kerouac, an early critic of the hippies and the larger counterculture, debates with sociologist Lewis Yablonksy, musician Ed Sanders, and conservative commentator William F. Buckley, Jr. on US TV's Firing Line on YouTube
External video
2014-06-14: Stanford Professor Fred Turner discusses 1960s counterculture and urges Class of '14 to embrace technology and politics to improve society. on YouTube
External video
2009: Peter Coyote on the legacy of the counterculture (excerpt) on YouTube

The counterculture of the 1960s refers to an anti-establishment cultural phenomenon that developed first in the United Kingdom (UK) and the United States (US) and then spread throughout much of the Western world between the early 1960s and the mid-1970s, with London, New York City, and San Francisco being hotbeds of early countercultural activity. The aggregate movement gained momentum as the American Civil Rights Movement continued to grow, and became revolutionary with the expansion of the US government's extensive military intervention in Vietnam. As the 1960s progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding human sexuality, women's rights, traditional modes of authority, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s.

As the era unfolded, new cultural forms and a dynamic subculture which celebrated experimentation, modern incarnations of Bohemianism, and the rise of the hippie and other alternative lifestyles, emerged. This embracing of creativity is particularly notable in the works of British Invasion bands such as the Beatles, and filmmakers whose works became far less restricted by censorship. In addition to the trendsetting Beatles, many other creative artists, authors, and thinkers, within and across many disciplines, helped define the counterculture movement.

Several factors distinguished the counterculture of the 1960s from the anti-authoritarian movements of previous eras. The post-World War II "baby boom" generated an unprecedented number of potentially disaffected young people as prospective participants in a rethinking of the direction of American and other democratic societies. Post-war affluence allowed many of the counterculture generation to move beyond a focus on the provision of the material necessities of life that had preoccupied their Depression-era parents. The era was also notable in that a significant portion of the array of behaviors and "causes" within the larger movement were quickly assimilated within mainstream society, particularly in the US, even though counterculture participants numbered in the clear minority within their respective national populations.


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