The Corpus Aristotelicum is the collection of Aristotle's works that have survived from antiquity through Medieval manuscript transmission. These texts, as opposed to Aristotle's lost works, are technical philosophical treatises from within Aristotle's school. Reference to them is made according to the organization of Immanuel Bekker's nineteenth-century edition, which in turn is based on ancient classifications of these works.
The extant works of Aristotle are broken down according to the five categories in the Corpus Aristotelicum. Not all of these works are considered genuine, but differ with respect to their connection to Aristotle, his associates and his views. Some are regarded by most scholars as products of Aristotle's "school" and compiled under his direction or supervision. (The Constitution of Athens, the only major modern addition to the Corpus Aristotelicum, has also been so regarded.) Other works, such as On Colors, may have been products of Aristotle's successors at the Lyceum, e.g., Theophrastus and Strato of Lampsacus. Still others acquired Aristotle's name through similarities in doctrine or content, such as the De Plantis, possibly by Nicolaus of Damascus. A final category, omitted here, includes medieval palmistries, astrological and magical texts whose connection to Aristotle is purely fanciful and self-promotional.
In several of the treatises, there are references to other works in the corpus. Based on such references, some scholars have suggested a possible chronological order for a number of Aristotle's writings. W.D. Ross, for instance, suggested the following broad chronology (which of course leaves out much): Categories, Topics, Sophistici Elenchi, Analytics, Metaphysics Δ, the physical works, the Ethics, and the rest of the Metaphysics. Many modern scholars, however, based simply on lack of evidence, are skeptical of such attempts to determine the chronological order of Aristotle's writings.
According to a distinction that originates with Aristotle himself, his writings are divisible into two groups: the "exoteric" and the "esoteric". Most scholars have understood this as a distinction between works Aristotle intended for the public (exoteric), and the more technical works intended for use within the Lyceum course / school (esoteric). Modern scholars commonly assume these latter to be Aristotle's own (unpolished) lecture notes (or in some cases possible notes by his students). However, one classic scholar offers an alternative interpretation. The 5th century neoplatonist Ammonius Hermiae writes that Aristotle's writing style is deliberately obscurantist so that "good people may for that reason stretch their mind even more, whereas empty minds that are lost through carelessness will be put to flight by the obscurity when they encounter sentences like these."