Coronation Ode, Op. 44 is a work composed by Edward Elgar for soprano, contralto, tenor and bass soloists, chorus and orchestra, with words by A. C. Benson.
It was written for the Coronation of King Edward VII and Queen Alexandra in 1902, and dedicated "by Special Permission, to His Most Gracious Majesty King Edward VII". But the Coronation was postponed due to the King being ill, so the first performance was not until 2 October 1902 at the Sheffield Festival, by the Sheffield Choir, soloists Agnes Nicholls, Muriel Foster, John Coates and David Ffrangcon Davies, with Elgar conducting. The first London performance was at Covent Garden on 26 October 1902.
There are six parts:
Queen Victoria died in January 1901 and preparations for the coronation of her son King Edward VII were soon under way. Late that year the Covent Garden Grand Opera Syndicate commissioned Elgar to write a work to be premiered at a Royal gala on the eve of the Coronation which was planned for July of the next year. Elgar himself invited A. C. Benson (perhaps at the instance of the King) to provide the libretto: Benson was a musician as well as a writer, and the collaboration was close and successful.
The King suggested to Elgar that words could be provided to the Trio section of the first Pomp and Circumstance March, which he liked: Elgar took up the King's suggestion and asked Benson to provide words so that the tune could form the climax of the Ode.
Elgar began writing in February 1902 and by the end of March he had finished the vocal score, which at that time consisted of parts I, III, IV, V and VI. Benson then realised that there needed to be a song referring to Queen Alexandra, and added "Daughter of ancient Kings" which Elgar reluctantly placed after "Crown the King", as he had wanted to follow that with "Britain, ask of thyself".