Koncerthuset by night
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Address | 20 Emil Holms Kanal, Ørestad Copenhagen Denmark |
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Owner | Danmarks Radio |
Type | Concert hall |
Capacity | 1,800 |
Construction | |
Opened | 17 January 2009 |
Architect | Jean Nouvel |
Website | |
www |
The Koncerthuset (Danish name: Koncerthuset, previously Copenhagen Concert Hall in English) by Jean Nouvel is a part of the new DR Byen (DR Town), that houses the Danish Broadcasting Corporation, DR. The concert hall and the DR Town are located in the northern part of Ørestad - an ambitious development area in Copenhagen, Denmark. The concert complex consists of four halls with the main auditorium seating 1,800 people. It is the home of the Danish National Symphony Orchestra. With a total surface of 25 000 m², the concert hall complex designed by Jean Nouvel includes a concert hall of 1800 people and three recording studios with variable acoustics. The scenography of the concert hall and three recording studios was designed with dUCKS scéno. The acoustic studies were realized by Nagata Acoustics. The construction, begun in February, 2003, was finished in January, 2009. The queen of Denmark inaugurated the venue on January 17, 2009.
Pritzker Prize winner Jean Nouvel is the architect of the project. The structure can be likened to a meteor covered by big blue screens, supposed to resemble water, that can be used to project visual content on. Nouvel says on the project :
"Building in emerging neighborhoods is a risk that has often proved fatal in recent years. When there is no built environment upon which to found our work, when we cannot evaluate a neighborhood's future potential, we have to turn the question around: what qualities can we bring to this future? We can respond positively to an uncertainty by using its most positive attribute, that is, mystery. Mystery is never far from seduction. When the surroundings are too neutral we must create a transition, a distance between them, and us, not as a retreat into ourselves, but as a means to establish conditions that will allow a particular territory to blossom. In other words we need to bring value to the context, whatever it may be. For this we must establish a presence, an identity. I propose to materialize the context by creating an exceptional urban building respecting the planned layout of the site. It will be a volume, a mysterious parallelepiped that changes under the light of day and night whose interior can only be guessed at. At night the volume will come alive with images, colors, and lights expressing the life going on inside".