Contemporary Jewish Museum
 |
|
 Location within San Francisco
|
|
| Established | 1984 |
|---|---|
| Location | 736 Mission Street, San Francisco, California, United States |
| Coordinates | 37°47′09″N 122°24′14″W / 37.78577°N 122.40394°WCoordinates: 37°47′09″N 122°24′14″W / 37.78577°N 122.40394°W |
| Director | Lori Starr |
| Public transit access |
 Powell Street Station
|
| Website | www |
The Contemporary Jewish Museum (The CJM) was founded in 1984 in San Francisco, California. Its current mission is to make the diversity of the Jewish experience relevant for a twenty-first century audience through exhibitions and educational programs.
The Contemporary Jewish Museum was founded in 1984 and was housed in a small gallery space near San Francisco's waterfront for over two decades. In 1989, the museum initiated a planning process to address the growing community need for its programs. The result was the decision to create a more expansive and centrally located facility with increased exhibitions, an area dedicated to education, and added program areas including live music, theater, dance, literary events, and film. In June 2008, the museum opened a new 63,000 square-foot facility in downtown San Francisco.
The museum has no permanent collection. It curates and hosts a broad array of exhibitions each year.
The museum’s education programs include public tours, classes and workshops, film screenings, lectures and gallery talks, performances, teacher training, school visits, family tours and art making, and a teen internship program.
Daniel Libeskind designed the 63,000 square foot (5,900 square meter) museum, which occupies and extends the 1907 Jessie Street Power Substation, originally designed by Willis Polk. The building was completed in 2008. The museum cost $47.5 million to build.
The museum’s tilted, dark-blue stainless steel cube, constructed by A. Zahner Company, slices into the old substation’s brick, making visible the relationship between the new and the old. Libeskind’s design preserves the defining features of Polk’s old building, including its brick façade, trusses, and skylights. 36 diamond-shaped windows light the top floor of the metal cube, known as the Yud, which hosts sound and performance based exhibitions. The museum’s other section, a slanting rectangle known as the Chet, holds the narrow lobby, an education center, and part of an upstairs gallery.
Similar to Libeskind’s Danish Jewish Museum in Copenhagen, the Contemporary Jewish Museum incorporates text into its design. Inspired by the phrase “L’Chaim,” meaning “To Life,” Libeskind let the Hebrew letters that spell “chai” —“chet” and “yud,” inspire the form of the building.
Libeskind himself explains how he used the letters: “the chet provides an overall continuity for the exhibition and educational spaces, and the yud with its 36 windows, serves as special exhibition, performance and event space”. .
“To Life”, also a traditional Jewish drinking toast, refers both “to the role the substation played in restoring energy to the city after the 1906 earthquake and the Museum's mission to be a lively center for engaging audiences with Jewish culture.”. The Hebrew word pardes, meaning “orchard,” is embedded in the wall of the lobby.
...
Wikipedia