Commit This to Memory
| Commit This to Memory | ||||
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| Studio album by Motion City Soundtrack | ||||
| Released | June 7, 2005 | |||
| Recorded | October–November 2004 Seedy Underbelly Studios (Valley Village, California) Sound Castle (Silver Lake, California) Cello Studios (Hollywood, California) |
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| Genre | ||||
| Length | 39:19 | |||
| Label | Epitaph | |||
| Producer | Mark Hoppus | |||
| Motion City Soundtrack chronology | ||||
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| Singles from Commit This to Memory | ||||
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Commit This to Memory is the second studio album by American rock band Motion City Soundtrack. Produced by Mark Hoppus, the album was released on June 7, 2005, in the United States by Epitaph Records. Motion City Soundtrack, formed in 1997, had first found success with their debut album, I Am the Movie (2002). The band toured in the interim years, creating positive word-of-mouth. In 2004, the band joined Blink-182 on the road for a string of shows, which led to their bassist, Mark Hoppus, joining the band in the studio for his first producing effort.
Recorded over six weeks in late 2004, Commit This to Memory was created largely at Seedy Underbelly Studios, a suburban home converted into a studio in Los Angeles' Valley Village region. The album was written partially in their hometown of Minneapolis and partially in Los Angeles, during a period in which frontman Justin Pierre was seeking treatment for alcohol abuse. He hoped for his lyricism to better emphasize storytelling, inspired by the lyrics of Tom Waits, Ben Folds and John K. Samson. Hoppus mainly worked with the band on completing song arrangements.
The album became the band's breakthrough, with lead single "Everything Is Alright" becoming the band's signature song. The album peaked at number two on Billboard's Independent Albums chart. The singles' music videos achieved rotation on cable channel MTV2 while the band toured alongside Fall Out Boy and Panic! at the Disco on the Nintendo Fusion Tour, later also joining the Warped Tour for a stint. In 2014, The A.V. Club referred to the album as a classic of pop punk, "full of hook-laden, keyboard-assisted songs whose bright melodies don’t mask the despair and self-loathing lurking beneath them."
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