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Comic-Con Episode IV: A Fan's Hope

Comic-Con Episode IV: A Fan's Hope
ComicConEpisodeIV.jpg
Promotional release poster
Directed by Morgan Spurlock
Produced by Jeremy Chilnick
Matthew Galkin
Harry Knowles
Stan Lee
Morgan Spurlock
Thomas Tull
Joss Whedon
Written by Jeremy Chilnick
Morgan Spurlock
Release date
  • September 10, 2011 (2011-09-10) (Toronto International Film Festival)
Running time
88 minutes
Country United States
Language English

Comic-Con Episode IV: A Fan's Hope is a 2011 documentary film on the San Diego Comic-Con International, directed by Morgan Spurlock.

The film follows five subjects: aspiring comics artists Skip Harvey and Eric Henson; comic book dealer Chuck Rozanski, who attempts to sell a high-priced comic book; a group of costume designers led by Holly Conrad who enter the convention's cosplay competition; and fan James Darling, who plans to propose marriage to his girlfriend during one of the many events at the convention. The documentary also conducts brief interviews with comic book and Hollywood figures who share their experiences as fans and their feelings toward the event.

Presented by Stan Lee and Joss Whedon, and directed by Morgan Spurlock, Comic-Con Episode IV: A Fan's Hope explores the phenomenon of the San Diego Comic-Con International, which began as a fringe comic book convention for 500 fans. The event has grown into an annual pop culture event that influences every form of entertainment and is attended by over 140,000 people. The film follows the lives of five attendees as they prepare to attend the 2010 convention, which is characterized as "the ultimate geek mecca":

The film also covers various aspects of the convention, such as discussion panels, the camaraderie among the attendees, and features one on one interviews with comics industry professionals such as Frank Miller, Seth Rogen, Eli Roth, Harry Knowles, Kevin Smith and Matt Groening.

In order of appearance:

The film holds an 82% positive "Fresh" rating at the review aggregator website Rotten Tomatoes, based on 51 critics' reviews, and a score of 64 out of 100 on the review aggregator Metacritic, based on 21 reviews.


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