A color suite (also called a color bay, telecine suite, or color correction bay) is the control room for color grading video in a post-production environment.
The video source could be from: a telecine, a video tape recorder (VTR), a motion picture film scanner, virtual telecine or a Direct to Disk Recording (DDR) or the older system called a film chain. A high end broadcast color suite may use a Da Vinci Systems or Pandora Int.'s color corrector. If a VTR is the source for the video the room is often called a tape to tape suite. Many suites are designed to operate as a telecine suite or a tape to tape suite by changing the configuration of the suite. The operator of the suite is usually called a Colorist. If a telecine is the source this is called a Film to Tape operation. A color suite may use one video standard or be able to change configuration to a number of standards like: high-definition video, NTSC, or PAL or a DI workflow. Color suites are sometime placed in digital cinema movie theaters with a video projector for color correction to that display format.
The suite room will also have video equipment in the Production control room for monitoring the video signal like: Video monitor, Waveform monitor and vectorscope.