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College (The Sopranos)

"College"
The Sopranos episode
College Sopranos.jpg
Episode no. Season 1
Episode 5
Directed by Allen Coulter
Written by James Manos Jr.
David Chase
Cinematography by Alik Sakharov
Production code 105
Original air date February 7, 1999 (1999-02-07)
Running time 56 minutes
Guest appearance(s)

see below

Episode chronology
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"Meadowlands"
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"Pax Soprana"
Episode chronology

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"College" is the fifth episode of the first season of the HBO television drama series The Sopranos, which originally aired on February 7, 1999. It was written by co-producer James Manos Jr. and series creator/executive producer David Chase and directed by Allen Coulter.

The episode was rated as the best of the series by TIME magazine, and was ranked #2 on TV Guide's list of "TV's Top 100 Episodes of All Time".

* = credit only

Tony takes Meadow on a trip to Maine to visit three colleges she is considering. The pair first visit Bates College, and Meadow makes a joke about the school's well-known non-sexual atmosphere. On the drive from Bates to Colby College, Tony is taken aback when his daughter asks if he is "in the Mafia", and his instinctive reaction is to deny everything. When Meadow proves skeptical, he relents and admits that a portion of his income is from illegal gambling and other activities. Meadow admits to taking speed to study for SATs, but after Tony reacts angrily, will not state her source of the drugs. Both seem relieved by this mutual honesty on difficult topics.

Later, Tony spots a familiar face from afar at a gas station: Fabian Petrulio, a former member of the DiMeo crime family who turned FBI informant and was relocated under the Witness Protection Program. Despite Meadow's obvious alarm and suspicions at his agitated reaction (chasing a car through oncoming traffic), Tony resolves to locate the man, confirm his identity, and personally execute him, all while continuing his trip with Meadow. Tony leaves his daughter at a college bar while he tracks down Petrulio, now known as "Fred Peters." He confirms Petrulio's identity when he sees a bust of Ronald Reagan in Petrulio's office, similar to those Petrulio had created while in prison. Tony fails to realize that his snooping has not gone unnoticed. Carrying a handgun, Petrulio tracks Tony and his daughter back to the roadside motel where they are staying. However, the presence of two elderly bystanders prevents Petrulio from taking a shot at an unsuspecting Tony.


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