Coffins on Io
| Coffins on Io | ||||
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| Studio album by Kayo Dot | ||||
| Released | October 15, 2014 | |||
| Genre | Electronic, dark wave, gothic rock, jazz fusion | |||
| Length | 49:39 | |||
| Label | The Flenser | |||
| Producer | Toby Driver | |||
| Kayo Dot chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Empty Lighthouse | Positive |
| SputnikMusic |
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Coffins on Io is the seventh album by avant-garde band Kayo Dot, released on October 15, 2014 through experimental metal label The Flenser. It is a follow up to 2013's Hubardo. It's the first album from Kayo Dot to not be self-released since 2012's Gamma Knife. Coffins on Io marks a notable change in sound. It combines influences of Type O Negative, The Sisters of Mercy, Peter Gabriel, dark wave and other 80s electronic musicians. It combines aspects of electronic music, jazz fusion, post-punk, gothic rock and new wave. It was produced by Toby Driver.
After releasing an album on The Flenser for one of Driver's other bands, Vaura, Driver gave the label four songs that he had considered releasing under a different band moniker. After the label's reception to the tracks, he decided to release it under the Kayo Dot moniker, the label signing the band to a contract then, the band's first music to be released by a label since 2010. The album began as a four-song experiment, and was transformed into a full-length album. Continuing the theme of the last album, the album was recorded by the full live band.
Driver has said that the album was influenced by dark wave as well as Type O Negative, Peter Gabriel and other similar electronic bands of the 1980s. Driver said in an interview that the album was heavily influenced by dark wave and was written as evoking "1980s retrofuture noir."
Driver's insistence that the album stay away from the influence of Hubardo resulted in an album that sounds drastically different from prior Kayo Dot albums. There are no growled vocals, and the album is not metal like many of the prior albums. In addition, this album relies heavily on repetition and melody, something prior Kayo Dot albums have strayed away from. Driver said in an interview that film heavily influenced the direction of the album, specifically Blade Runner.
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