New Testament manuscript |
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Gospel of Matthew
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Name | Cyprius |
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Sign | Ke |
Text | Gospels |
Date | 9th century |
Script | Greek |
Found | Cyprus 1673 |
Now at | Bibliothèque nationale de France |
Size | 26 cm by 19 cm |
Type | Byzantine text-type |
Category | V |
Codex Cyprius, designated by Ke or 017 (in the Gregory-Aland numbering), ε 71 (von Soden), is a Greek uncial manuscript of the four Gospels, on parchment. It was variously dated in the past (8th–11th centuries), currently it is dated to the 9th century. It was brought from Cyprus (hence name of the codex) to Paris. Sometimes it was called Codex Colbertinus 5149 (from new place of housing). The words are written continuously without any separation, with stichometrical points.
It is one of the very few uncial manuscripts with complete text of the four Gospels, and it is one of the more important late uncial manuscript of the four Gospels.
The text of the codex was examined by many scholars. It represents the Byzantine text-type, typical for the majority of manuscripts, but it has numerous peculiar readings. The manuscript was examined by many palaeographers and textual critics since the end of the 17th century until to half of the 20th century. Although its text is not highly estimated by present textual critics and a full collation of its text was never made or published, it is often cited in editions of the Greek New Testament.
The codex contains a complete text of the four Gospels. The entire work is arranged on 267 parchment leaves. The leaves each measure 26 centimetres (10 in) by 19 centimetres (7.5 in), in a quarto format with four leaves to each quire. The text itself is written in brown ink in one single column per page. Each page contains 16 to 31 lines because the handwriting is irregular and varies in size, with some pages having letters that are quite large.
The style of handwriting of the codex bears a striking general resemblance to that of three Gospel lectionaries of the 10th and 11th centuries: Lectionary 296, ℓ 1599, and ℓ 3. The letters and words are not separated from one another (scriptio-continua). There is frequent insertion of a point as a mark of interpunction. This has been supposed to occur in an ancient stichometrical style of writing. A dot is always used to denote the end of the stichos.