Cochrane's Craft

Cochrane’s Craft, which is also known as Cochranianism, is a tradition of traditional witchcraft founded in 1951 by the English Witch Robert Cochrane, who himself claimed to have been taught it by some of his elderly family members, a claim that is disputed by some historians such as Ronald Hutton and Leo Ruickbie.

Cochranianism revolved around the veneration of the Horned God and the Mother Goddess, alongside seven deities which are viewed as children of the God and Goddess. Cochranian Witchcraft has several features that separate it from other traditions such as Gardnerian Wicca, such as its emphasis on mysticism and philosophy, and Cochrane's attitude that it was not pagan, but only based upon paganism.

As in most forms of Neopagan Witchcraft, Cochranians worship both a Horned God and a Triple Goddess. The Goddess is viewed as the White Goddess, a term taken from Robert Graves' poem, The White Goddess. She is also viewed as a triad of three mothers or three sisters, which both Cochrane and Evan John Jones noted as having similarities with the weird sisters or Norns of Germanic paganism.

In Cochrane's Craft, the God is associated with fire, the underworld and time, and has been described as "the goat-god of fire, craft, lower magics, fertility and death". The God was known by several names, most notable Tubal Cain, Bran, Wayland and Herne. Cochrane's tradition held that these two deities had a son, the Horn Child, who was a young sun god.

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