Cloak and Dagger | |
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Theatrical poster
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Directed by | Fritz Lang |
Produced by | Milton Sperling |
Written by |
Corey Ford Alastair MacBain (book) Boris Ingster John Larkin (story) Ring Lardner Jr. Albert Maltz |
Starring |
Gary Cooper Lilli Palmer |
Music by | Max Steiner |
Cinematography | Sol Polito |
Edited by | Christian Nyby |
Production
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Distributed by | Warner Brothers |
Release date
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Running time
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106 minutes |
Country | United States |
Language | English |
Box office | $2.5 million (US rentals) |
Cloak and Dagger is a 1946 film noir directed by Fritz Lang, starring Gary Cooper. Like 13 Rue Madeleine, it is a tribute to Office of Strategic Services (OSS) operations in occupied Europe during World War II. The title is based on the 1946 non fiction book Cloak and Dagger: The Secret Story of O.S.S. by Corey Ford and Alastair MacBain. Former OSS agent E. Michael Burke acted as technical advisor.
As planned by Lang, the film had a different ending. Jesper (Cooper) leads a group of American paratroopers into Germany to discover the remains of an underground factory, the bodies of dead concentration camp workers, and evidence the factory was working on nuclear weapons.
Jesper remarks that the factory may have been relocated to Spain or Argentina and launched a diatribe saying: "This is the Year One of the Atomic Age and God help us if we think we can keep this secret from the World!"
Producer Milton Sperling, who had frequently quarreled with Lang on the set, thought the final scene ridiculous, since the audience knew the Germans had no nuclear capacity. Ironically, screenplay writers Lardner and Maltz became two of the Hollywood Ten, accused of adding communist dogma to movie scripts such as this one. Writing a script saying the US could not keep nuclear secrets from the USSR, such as in this film, was just one of many accusations against the Ten.
A 1950 NBC radio show of the same title based on Ford and MacBain's book lasted 26 episodes. Cloak and Dagger began with actor Raymond Edward Johnson asking "Are you willing to undertake a dangerous mission for the United States knowing in advance you may never return alive?"
Screenwriters Lardner Jr. and Maltz later were two of The Hollywood Ten, caught up in the power struggle between J. Edgar Hoover and the Central Intelligence Agency. They were brought before HUAC, jailed, and blacklisted during the Red Scare.