Clive Robertson, (born 1946 in Plymouth, Devon) is a Canadian performance and media artist, critic, curator, publisher and retired Queen’s University art history professor. He is based in Kingston, Canada.
Clive Robertson immigrated to Canada in 1957 settling in Traynor, Saskatchewan and in 1971 moved to Calgary, Alberta. He is a son of RAF pilot, actor, and Canadian educational TV pioneer (CARET), Alan Robertson. Clive Robertson attended Plymouth, Cardiff and Liverpool Colleges of Art in the UK before obtaining an MFA in Sculpture/Performance Studies at the University of Reading, England in 1971. Robertson holds a PhD in Communication Studies from Concordia University, Montréal with a dissertation on artist-run culture as a movement and apparatus. Clive Robertson has been recognised as a force for artist organisation advocacy and served in the 1970s as President and in the late 1980s as National Spokesperson for ANNPAC/RACA (Association of National Non-Profit Artist Centres). Following a Contemporary Art Research Fellowship at the National Gallery of Canada in 1994, Robertson received a full-time appointment to teach contemporary art history at Queen’s University in 1999 where he also helped inaugurate the graduate programme in Cultural Studies. As a critic he has published in: artscanada; Art and Artists; Centerfold; FILE; La Mamelle; Parachute; Only Paper Today; FUSE; C Magazine; Our Times; Remote Control; Parallelogramme; Inter; and High Performance. He retired from teaching in 2016. Clive Robertson’s life partner is artist and filmmaker, Frances Leeming.
Robertson began curating performance art and experimental musics in 1970 in Reading, England programming works by Stuart Marshall, Keith Wood, the Scratch Orchestra and the Portsmouth Sinfonia.