Claude Bolling
| Claude Bolling | |
|---|---|
| Born |
April 10, 1930 Cannes, France |
| Genres | Jazz |
| Occupation(s) | Musician, composer, arranger, actor |
| Instruments | Piano |
| Years active | 1944–present |
| Website | claude-bolling |
Claude Bolling (born 10 April 1930), is a French jazz pianist, composer, arranger, and occasional actor.
He was born in Cannes, studied at the Nice Conservatory, then in Paris. A child prodigy, by age 14 he was playing jazz piano professionally, with Lionel Hampton, Roy Eldridge, and Kenny Clarke. Bolling's books on jazz technique show that he did not delve far beyond bebop into much avant garde jazz. He was a major part of the traditional jazz revival in the late 1960s, and he became friends with Oscar Peterson.
He has written music for over one hundred films, including a 1957 documentary about the Cannes Film Festival, and films such as The Hands of Orlac (1960), World in My Pocket (1961), Me and the Forty Year Old Man (1965), Atlantic Wall (1970), Borsalino (1970), To Catch a Spy (1971), Le Magnifique (1973), Borsalino & Co. (1974), Flic Story (1975), The Passengers (1977), Silver Bears (1978), California Suite (1978), L'Homme en colère (1979), The Awakening (1980), Willie & Phil (1980), Three Men to Kill (1980), The Bay Boy (1984), He Died with His Eyes Open (1985), Try This One for Size (1989) and Chance or Coincidence (1998).
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