Clare Douglas is a British film editor who received a BAFTA Award for Best Editing for the 2006 film United 93. Douglas has worked extensively on British television, and she has been nominated four times for BAFTA Television Editing Awards.
After a degree in English and drama at Bristol University, Douglas entered a film program at Hornsey College of Art. She was a trainee at the BBC, and worked as an editor there on a range of documentaries and dramas. Her freelance career began when Dennis Potter asked her to leave and edit for his company.
In 2002 Douglas was nominated for a BAFTA Television Craft Award for the editing of Bloody Sunday, which was directed by Paul Greengrass. Bloody Sunday was honored by the Golden Bear award as best film at the Berlin International Film Festival. The editing of Bloody Sunday was noted in J. Hoberman's review; the film
...cuts back and forth between the spirited Irish Catholics preparing to march through their republican neighborhood and the grim, gray-faced British command making plans to stop them. The nominal protagonist is Protestant MP and pacifist civil rights leader Ivan Cooper (James Nesbitt), who cheerfully orchestrates the march and then is overwhelmed by the unfolding catastrophe. All characters are encountered on the run. The movie is shot verité style as a detailed mass of hectic vignettes—jagged jump cuts, sudden blackouts, overlapping everything. The "you are there" faux combat photography, a sequence that runs nearly three-quarters of an hour, is as remarkable in its staging as Black Hawk Down's, except that Bloody Sunday was shot largely on 16mm, Greengrass is frequently closer to the action, and here, for the most part, the victims are unarmed civilians.
The editing of Black Hawk Down (2001) had just won Pietro Scalia an Academy Award when Hoberman was writing his review. In a similar vein, Tor Thorsen wrote: