Civil Dusk is the third solo album by Australian musician Bernard Fanning, a followup to his 2013 album Departures, and is the second album following the disbanding of Fanning's band Powderfinger in 2011. The album was released on 5 August 2016. The album signals Fanning's return to more of an acoustic folk sound, more akin to his first solo album, Tea & Sympathy, than the alternative rock sound of Departures.Civil Dusk is released as part one of a series of two albums, the second instalment, Brutal Dawn, to be released in early 2017.

The writing process for the album began towards the end of 2014, in northern New South Wales, ending approximately a year later in Madrid, Spain. Following Fanning's return to Australia in early 2016, he set about recording for Civil Dusk, alongside friend and producer Nick DiDia, at La Cueva Recording, a home recording studio that the two developed. Taking such an approach was a new experience for Fanning, used to recording in professional studios in comparison with the open-floor layout of the home studio. DiDia believes such a layout helped to make communication easier, enhancing the recording process.

The album places a particular focus on consequences and decisions, though Fanning states that it is not only coloured by his own experiences. On describing the album, Fanning says: "Sometimes, particular decisions appear to be the most sensible or realistic path to take. A civil, pragmatic compromise. But the passage of time reveals those decisions to have been flawed and to have far deeper and wide ranging consequences than predicted at the time. We all live with the consequences of our decisions but have daily things to attend to."

Within the scope of decisions, the album explores a number of issues—from "Belly of the Beast" exploring Fanning's belief that the state of politics is "just a failure at all levels across the globe", to ideas of loss and devotion in songs such as "Emerald Flame".

The album's name is drawn from a photography term, civil twilight, described by Fanning as "[talking] about the light in the sky when the sun has gone below the horizon, but you can still make out all the objects", a direct reference to the album's core theme of decisions, and their lasting consequences. The album's cover photography is by Karen Lynch of Leaf and Petal, the work of whom Fanning's wife discovered whilst browsing a Spanish Instagram site, which upon Fanning's inspection, he found to "[fit] perfectly with the lyrical themes."

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