Circle in the Square
| Address | 235 West 50th St., New York, New York New York City United States |
|---|---|
| Coordinates | 40°45′44″N 73°59′05″W / 40.7621°N 73.9848°W |
| Owner | Paul Libin, President |
| Type | Broadway theatre |
| Capacity | 776 |
| Construction | |
| Opened | 1972 - to present |
| Architect | Alan Sayles, Jules Fisher, consultant |
The Circle in the Square Theatre is a Broadway theatre in midtown Manhattan at 235 West 50th Street in the Paramount Plaza building.
The original Circle in the Square was founded by Theodore Mann, José Quintero, Jason Wingreen, Eileen Cramer and Emily Stevens in 1951 and was located at 5 Sheridan Square (a former nightclub) in Greenwich Village. The original Circle in the Square did not have a theater license, but Mann was able to get a cabaret license; the production staff and off duty actors served as waiters if anyone insisted on ordering food or drinks. Many of the theater personnel, both acting and technical, lived on the premises. Even classical performances took place here: Pianist Grete Sultan, who later became a well known interpreter of New Music and was John Cage's close friend, performed Goldberg Variations by Johann Sebastian Bach here in January 1953. After directing several landmark productions at Circle in the Square, Jose Quintero left to work on other projects. His last production for Circle in the Square was Eugene O'Neill's "Desire Under The Elms." The best known productions in the original theater were Tennessee Williams' Summer and Smoke, with Geraldine Page and Eugene O'Neill's The Iceman Cometh, with Jason Robards.
In 1960 the company moved to the Circle in the Square Downtown, at 159 Bleecker Street in Greenwich Village in a historic building built in 1917 (which now houses The Market NYC, an indoor market). Their first production in the new space was Thornton Wilder's "Our Town." Before it became the Circle in the Square Theatre, the company's new home was first a movie house followed by the original Amato Opera House. It was built by and operated by Italian-Americans, which was typical of the South Village in the late 19th/early 20th centuries. Many of these theaters in the South Village were, like the Circle in the Square, built or altered from other types of existing structures.
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