Cinema Products Corporation was an American manufacturer of motion picture camera equipment.
The company was formed in 1968 by Ed DiGiulio, a former director and vice-president of the Mitchell Camera Corporation. Their first product was a Silent Pellicle Reflex conversion of the Mitchell BNC 35 mm Motion picture camera.
The company expanded into the 16-millimeter news camera market with the introduction of the CP-16.
The CP16 was based on the film advance mechanism used in the older "Bach-Auricon" sound-on-film cameras, but reconfigured in a lighter, more ergonomic self-blimped body configuration. It became one of the most widely used sound-on-film cameras in the TV news industry until it began to be superseded by the color professional video formats of the late 1970s. (3/4 inch field decks and the early Betacam and M-format component analog tape systems.)
In the 50th Academy Awards, Garrett Brown and the Cinema Products Corporation Engineering Staff under the supervision of John Jurgens received a Scientific or Technical Award, Class I for the invention and development of the Steadicam.
In motion picture equipment, the Mitchell BNC conversion to reflex was followed by the studio quiet XR35. The Cinema Products XR35 had a Mitchell NC camera inside a lightweight housing or blimp. The blimp was so close in size to the original camera, it looked small compared to the blimps made for Mitchell or Arriflex cameras. The XR35 was a crystal-controlled 35mm motion picture camera considerably lighter than the Hollywood studio–owned blimped Mitchells. The X stood for crystal, the R for reflex. The reflex system was based on a spinning mirror shutter. During the mirrors' revolution at one point the film would be exposed, then the operator would view the image in the mirror as the film was advanced to the next frame, at 24 times a second. Cinema Products did their best to buy up all available 35mm Mitchell NC cameras on the market as the XR went into production. Later, Cinema Products sold their remaining Mitchell inventory to a Japanese company when the XR35 was challenged by competitors but still selling well.
In 1972 Panavision and Arriflex came to market with their lighter-weight 35mm cameras. Panavision's Panaflex and the German Arriflex 35BL-I. These cameras were not blimped in the sense they had a camera in a housing; these cameras were designed from the ground up to be quiet.