Gim Jeong-hui | |
Korean name | |
---|---|
Hangul | 김정희 |
Hanja | 金正喜 |
Revised Romanization | Gim Jeonghui |
McCune–Reischauer | Kim Chǒnghǔi |
Gim Jeong-hui (김정희, 金正喜, Korean pronunciation: [kimdʑʌŋhi] born on the 3rd day of the 6th lunar month 1786, died on the 10th day of the 10th lunar month 1856), also known as Kim Jeong-hui, was one of the most celebrated practitioners of calligraphy, epigraphists, and scholars of Korea’s later Joseon period. He was a member of the Gim clan of Gyeongju. He used various Ho (pen-names): Wandang (阮堂), Chusa (秋史), Yedang (禮堂), Siam (詩庵), Gwapa (果坡), Nogwa (老果) etc. (some 200 in all). He is especially celebrated for having transformed Korean epigraphy and for having created the “Chusa-che” (秋史體 Chusa writing style) inspired by his study of ancient Korean and Chinese epitaphs. His ink paintings, especially of orchids, are equally admired.
As a scholar, he belonged to the Silhak (Practical Learning) school also known as the Bukhak (北學, “Northern Learning”). He was related to Queen Jeongsun, the second wife of King Yeongjo, and by his adoptive mother, Nam Yang-hong, he was a cousin to Namyeon-gun Yi Gu, who was destined to be the grandfather of King Gojong (高宗, later titled 光武帝 Gwangmu Emperor. 1852–1919). Hongseon Daewon-gun (興宣大院君, 1820–1898), King Gojong’s father, who served as his regent and was also a noted calligrapher, was one of Gim’s pupils for a while.
Gim was born in the family home in Yesan, now South Chungcheong Province, in 1786. He was the eldest son. His birth father was Gim No-gyeong (金魯敬, 1766 - 1840); his grandfather was Gim I-ju (金頤柱, ? – 1797) and his great-grandfather was Weolseongui Gim Han-sin (月城尉 金漢藎, 1720–1758) who married the second daughter of King Yeongjo, the Princess Hwasun (和順翁主, 1720 - 1758). His ancestors and relatives held many high administrative positions and several were noted for their calligraphy. His mother was a member of the Gigye Yu clan, a daughter of Yu Jun-ju (兪駿柱), the governor of Gimhae.