Church frescos in Denmark

Church frescos or church wall paintings (Danish: kalkmalerier) are to be found in some 600 churches across Denmark, no doubt representing the highest concentration of surviving church murals anywhere in the world. Most of them date back to the Middle Ages and were uncovered by Jacob Kornerup (1825-1913) who carried out restoration work in 80 churches across the country towards the end of the 19th century. They lay hidden for centuries as after the reformation, they were covered with limewash (Danish: kalk) only to be revealed and restored during the course of the 19th and 20th centuries. In most of Europe medieval frescos, extremely common in the Middle Ages, were more likely to be removed completely during the Reformation or in subsequent rebuildings, or merely as they aged. The oldest frescos, dating back to the 12th century, were painted in the Romanesque style by artists from elsewhere in Europe but those from the 14th century and thereafter are in the Gothic style which was used by native Danish painters. It is these that are considered to be the most important for Danish art and culture. A distinction is to be made between these church wall paintings or kalkmalerier and the generic term "fresco" (Danish: fresko) which refers to all types of painting on plastered walls or ceilings.

The murals in Danish churches can be divided very roughly into two main periods: Romanesque, beginning in the 12th century, and Gothic, from the middle of the 13th century. As in most of Europe the transition in painting styles was less abrupt than in architecture. Painting styles are closely related to those of the neighbouring areas of North Germany and South Sweden, especially the province of Scania, which was Danish territory in the Middle Ages.

With the development of Christianity and the construction of stone churches, Romanesque art came to Denmark from the rest of Europe, with influences mostly from North Germany and the Anglo-Norman English Channel area, and possibly even some from Spain and Italy. Some of this no doubt came from imported manuscripts; there are no surviving "indigenous illuminated manuscripts of significance" from Scandinavia in this period. Many of the churches in Sealand, especially those in Måløv, Jørlunde, Slaglille, Sæby and Kirke Hyllinge, have highly artistic murals dating back to the 12th century. The colours were often imported at considerable cost and the paintings, usually of figures, were true frescos, completed on wet plaster in traditionally geometrical compositions with a blue or green background. Several Sealand church apses have a variant of the usual Christ in Majesty subject, where Christ is surrounded by the Evangelists' symbols, flanked by the Virgin and Saint John with archangels or other figures (Alsted shown above).

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