"Chuck Versus the Push Mix" | |
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Chuck episode | |
Chuck proposes to Sarah.
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Episode no. | Season 4 Episode 13 |
Directed by | Peter Lauer |
Written by |
Rafe Judkins Lauren LeFranc |
Featured music | "Rad Anthem" by Rad Omen "Got A Nerve" by Grand Vanity "Push It" by Salt-N-Pepa "Young Blood" by The Naked and Famous |
Original air date | January 31, 2011 |
Guest appearance(s) | |
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"Chuck Versus the Push Mix" is the thirteenth episode of the fourth season of Chuck. It originally aired on January 31, 2011. Much like "Chuck Versus the Other Guy" in the third season, this episode was intended to be the fourth season finale before an additional eleven episodes were ordered. As a result, the episode featured the conclusion of several story arcs, and series co-creator Josh Schwartz boasted that it would end with the "best 10 minutes in the show's history".
The plot of "Chuck Versus the Push Mix" is fairly complicated with several story threads interwoven together, and much of the supporting cast figures into the overall mission in some way.
Chuck Bartowski, Morgan Grimes, and Alex McHugh are in a hospital room next to an unconscious John Casey (from injuries sustained in the previous episode). Casey suddenly wakes and grunts the word "pants", leading them to find the piece of Yuri the Gobbler's glass eye in his pants pocket, which had been used to store the Hydra database. When Chuck asks where it came from, Casey grunts "Sarah", proving to Chuck that Sarah Walker has not actually gone rogue, and restoring his trust in her.
In Moscow, Sarah and Mary Elizabeth Bartowski (Linda Hamilton) infiltrate Alexei Volkoff's office while he is away. They try to access the Hydra network, but they learn that Volkoff has hidden it with "The Contessa". Volkoff later returns to his office to find every electronic device malfunctioning. A message appears on his screen, reading, "Hello Volkoff. I want my wife back." The message is then revealed to be from Orion (Stephen J. Bartowski), confusing Volkoff, as Stephen was killed by The Ring. Nevertheless, Volkoff decides to move Mary to the Contessa.