Choir of St John's College, Cambridge

The Choir of St John's College, Cambridge is considered to be one of the finest collegiate choirs in the world. It is part of the English cathedral tradition, having been founded to sing the daily liturgy in the College Chapel, though it is set apart from other English choirs of this tradition by the frequent inclusion of Continental works in its repertoire and its emphasis on polyphonic interpretations. Alongside the choir of King's College, Cambridge, it is one of the two most famous collegiate choirs in Cambridge, having had over 90 recordings published.

The early records of the choirs are obscure, but it is known that its origins can be traced to the original foundation of the College in 1511. The present arrangement of the choir began in 1670.

The Choir consists of fifteen Choral Scholars and twenty Choristers and Probationers, all of whom are members of St John's College, many of whom have proceeded to become distinguished musicians.

The choir follows the English cathedral tradition of men and boys.

The boys are educated at the St John's College School, at the extreme west end of the College grounds. They travel to and from Chapel wearing a miniature version of the college's undergraduate dress — mortar boards and academic gowns (or cloaks in the winter) over their uniforms. As well as the traditional church choir ranks of head and deputy head choristers, one boy a year is awarded the George Guest medal, in memory of the former Organist. Upon leaving the choir, many boys take up music scholarships at the country's leading independent schools.

The men of the choir are either undergraduates at the College or, occasionally, lay clerks (who have generally just graduated from St John's or another Cambridge college). As well as singing with the boys, they sing one service a week on their own and all services when the boys are on their half term holiday. As the a cappella vocal ensemble, the Gentlemen of St John's, they also sing lighter music, and are in frequent demand for concerts, May Balls, and many other engagements; they have also recorded many CDs ranging from close-harmony to renaissance music and tour regularly around the world.

Services follow the tradition of the Church of England, generally consisting of a Sunday Eucharist and evensong every day except Monday. Like the other elite cathedral and collegiate choirs, the repertoire extends far beyond the core Anglican pieces. The efforts of organists over the centuries have broadened it further: Walmisley, for example (whose godfather Thomas Attwood studied under Mozart) collaborated with Felix Mendelssohn, while George Guest was a great advocate of contemporary French choral music.

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