Chester Anderson
| Chester Valentine John Anderson | |
|---|---|
| Born |
August 11, 1932 Stoneham, Massachusetts, United States |
| Died | April 11, 1991 (aged 58) |
Chester Valentine John Anderson (August 11, 1932 - April 11, 1991) was a novelist, poet, and editor in the underground press. Raised in Florida, he attended the University of Miami from 1952 to 1956, before becoming a beatnik coffee house poet in Greenwich Village and San Francisco's North Beach. As a poet, he wrote under the name C.V.J. Anderson and edited the little magazines Beatitude and Underhound. In journalism, he specialized in rock and roll. In that area, he was a friend of Paul Williams and edited Crawdaddy! for a few issues in 1968-1969.
He also wrote science fiction, due in part to the influence of Michael Kurland. Anderson's The Butterfly Kid is the first part of what is called the Greenwich Village Trilogy, with Kurland writing the second book (The Unicorn Girl) and the third volume (The Probability Pad) written by T.A. Waters. The novel was nominated for the 1968 Hugo Award for Best Novel. It, and his few other genre works are associated with New Wave science fiction.
He was also a gifted musician, played two part inventions with two recorders simultaneously, played duets with Laurence M. Janifer at the Cafe Rienzi. He subsequently moved to San Francisco during the Summer of Love and, along with Claude Hayward, was one of the founders of the Communications Company (ComCo), the "publishing arm" of the anarchist guerrilla street theater group The Diggers, having bought a mimeograph with his second royalty check from Butterfly Kid. Through ComCo, he circulated a number of his own bitter broadside polemics in the Haight, including "Uncle Tim's Children," with its infamous, often quoted line, "Rape is as common as bullshit on Haight Street." Joan Didion described the role Chester Anderson and ComCo played in Haight-Ashbury in her 1968 book Slouching Towards Bethlehem.
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