Chelsea Morning
| "Chelsea Morning" | |
|---|---|
 |
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| Single by Judy Collins | |
| B-side | Pretty Polly |
| Released | April 1969 |
| Format | 7" 45 rpm |
| Recorded | Elektra Sound Recorders, Los Angeles, 1968 |
| Genre | Folk rock |
| Length | 03:15 |
| Label | Elektra |
| Writer(s) | Joni Mitchell |
| Producer(s) | David Anderle |
| "Chelsea Morning" | ||||
|---|---|---|---|---|
| Song by Joni Mitchell from the album Clouds | ||||
| Released | 1969 | |||
| Recorded | A&M Studios, Hollywood, CA | |||
| Genre | Folk rock | |||
| Length | 02:35 | |||
| Label | Reprise | |||
| Writer(s) | Joni Mitchell | |||
| Composer(s) | Joni Mitchell | |||
| Language | English | |||
| Producer(s) | Joni Mitchell, Paul A. Rothchild | |||
| Clouds track listing | ||||
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"Chelsea Morning" is a song written and composed by Joni Mitchell and recorded for the singer's second album, Clouds, which she released in 1969. Prior to it coming out on the Mitchell album, the song had been issued as a single by Judy Collins earlier in the year and as a track on the debut album by Fairport Convention in 1968.Jennifer Warnes recorded it for her debut album, I Can See Everything, also in 1968, and, in 1969, this version was released as a single. The earliest commercial appearance of the song, however, was likely its interpretation by Dave Van Ronk on his 1967 album Dave Van Ronk and the Hudson Dusters.
The song was inspired by Mitchell's room in the Chelsea neighborhood of New York City. The inspiration for the first verse comes partly from the distinct décor of her apartment. While in Philadelphia, Mitchell and friends had made a mobile from shards of colored glass they had found in the street and wire coat hangers, which filtered the light coming into her room through the window and created the "rainbow on the wall." During coffeehouse performances of this song in the late 1960s, Mitchell explained that the famous stained glass had been rescued from the salvaged windows of a demolished home for unwed mothers.
The lyrics of this song demonstrate Mitchell's talent with imagery, and her strong use of visual inspiration, which comes from her background in visual art. Example: "The sun poured in like butterscotch and stuck to all my senses." Mitchell, in regards to "Chelsea Morning," explained in 1996: "It was a very young and lovely time ... before I had a record deal. I think it's a very sweet song, but I don't think of it as part of my best work. To me, most of those early songs seem like the work of an ingenue."
"Chelsea Morning" predated the release of Mitchell's 1968 debut album, but she held off recording the song until her second album Clouds partly because it had already been recorded by other artists. The Collins version had been initially slated for Who Knows Where the Time Goes, but "Chelsea Morning" did not make the track listing for the album, instead given an April 1969 single release. Supported mainly by easy listening radio, the track reached #25 on Billboard's Easy Listening chart with peripheral Billboard Hot 100 impact, peaking there at #78. "Chelsea Morning" made a belated debut as a Judy Collins album track on the singer's 1971 album release Living. Collins re-recorded "Chelsea Morning" for her 1999 retrospective double-album release Forever: An Anthology.
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