Chateau-sur-Mer
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Chateau-sur-Mer
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Chateau-sur-Mer, Newport, Rhode Island.
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| Location | 474 Bellevue Avenue, Newport, Rhode Island |
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| Coordinates | 41°28′16.5″N 71°18′19″W / 41.471250°N 71.30528°WCoordinates: 41°28′16.5″N 71°18′19″W / 41.471250°N 71.30528°W |
| Area | 17 acres (69,000 m2) |
| Built | 1851 |
| Architect |
Seth C. Bradford (construction) |
| Architectural style | Mid 19th Century Revival |
| Part of | Bellevue Avenue Historic District (#72000023) |
| NRHP Reference # | 68000002 |
| Significant dates | |
| Added to NRHP | November 8, 1968 |
| Designated NHL | February 17, 2006 |
| Designated NHLDCP | December 8, 1972 |
Seth C. Bradford (construction)
Richard Morris Hunt (renovations)
Chateau-sur-Mer is the first of the grand Bellevue Avenue mansions of the Gilded Age in Newport, Rhode Island. Located at 424 Bellevue Avenue, it is now owned by the Preservation Society of Newport County, and is open to the public as a museum. Chateau-sur-Mer's grand scale and lavish parties ushered in the Gilded Age of Newport, as it was the most palatial residence in Newport until the Vanderbilt houses in the 1890s. It was designated a National Historic Landmark in 2006.
Chateau-sur-Mer was completed in 1852 as an Italianate villa for William Shepard Wetmore, a merchant in the China trade, who was born on January 26, 1801, in St. Albans, Vermont. The architect and builder was Seth C. Bradford; the structure is a landmark of Victorian architecture, furniture, wallpapers, ceramics and stenciling. Mr. Wetmore died on June 16, 1862, at Chateau-sur-Mer, leaving the bulk of his fortune to his son, George Peabody Wetmore. George later married Edith Keteltas in 1869. During the 1870s, the Wetmores departed on an extended trip to Europe, leaving architect Richard Morris Hunt to remodel and redecorate the house in the French Second Empire style. As a result, Chateau-sur-Mer displays most of the major design trends of the last half of the 19th century. The house is constructed of Fall River Granite. Hunt's alterations greatly expanded the house, adding a new three-story wing, a porte-cochere, and a projecting four-story tower with mansard roof. The carriage house was also enlarged, in a manner sympathetic to Bradford's original design. Hunt also designed the entrance gate of the estate, which are somewhat Greek Revival in style, but with posts modeled after Egyptian obelisks.
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