Charlotte Froom

The Like
Z Berg (left) and Tennessee Thomas
Background information
Origin	Los Angeles, California, United States
Genres	Alternative rock Indie rock
Years active	2001–2011 (hiatus)
Labels	Geffen
Past members	Elizabeth "Z" Berg Charlotte Froom Tennessee Thomas Laena Geronimo Reni Lane Annie Monroe

The Like was an alternative rock band from Los Angeles, California. Its final lineup consisted of Z Berg (vocals and guitar), Tennessee Thomas (drums), Laena Geronimo (bass), and Annie Monroe (organ). The band released three extended plays (EPs) and two studio albums.

The Like were formed in September 2001 by Z Berg (vocals/guitar), Charlotte Froom (bass/vocals) and Tennessee Thomas (drums) at the ages of 15, 15 and 16, respectively. All three are daughters of music industry veterans; Berg's father is former Geffen Records A&R exec/record producer Tony Berg, Froom's father is producer Mitchell Froom and Thomas' father is Pete Thomas, longtime drummer for Elvis Costello. From childhood, Froom, Berg and Thomas were immersed in classic rock, and all three took piano lessons before teaching themselves their current instruments.

They formed when the parents of childhood friends Thomas and Froom learned that Berg had been writing songs and showed interest in forming a band. Froom learned bass two weeks before joining, and the three began working together, getting fast results. Thomas's mother came up with the name in recognition of how often the girls used the word "like".

Over a period of three years, the band independently released three EPs (I Like The Like, ... and The Like, and Like It or Not), which they sold at shows and on their website. Their song "(So I'll Sit Here) Waiting" was featured on the soundtrack of the film Thirteen. They toured with Phantom Planet and Kings of Leon. In 2004, the Like signed to Geffen Records.

The Like released their first album, Are You Thinking What I'm Thinking?, through Geffen on September 13, 2005. The album is a combination of reworked songs previously released on their independent EPs as well as new material. The reviews were generally positive. Krissi Murison of the NME had praise for such songs as "June Gloom" and "(So I'll Sit Here) Waiting", but criticized the "over-polished approach" of producer Wendy Melvoin.