Charlotte Corday is an opera in three acts by Lorenzo Ferrero to an Italian-language libretto by Giuseppe Di Leva, written on commission from the Teatro dell'Opera di Roma for the 200th anniversary of the French Revolution which was commemorated in 1989.
The fundamental theme of the opera is the individual terrorist action committed by anyone who believes that he or she is eliminating an evil by eliminating a person, in most cases the wrong person. The work describes three encounters of the Girondin sympathizer Charlotte Corday with Jean-Paul Marat, leading figure of the radical Jacobin faction, two attempts and finally the assassination itself.
The premiere directed by Mario Martone and conducted by Roberto Abbado took place at the Teatro dell'Opera di Roma on 21 February 1989. The opera had two subsequent new productions in Germany, one conducted by Istvan Dènes which was performed at the Theater Bremen on 28 April 1990, and the second conducted by Jan Michael Horstmann which ran for ten performances between 27 April and 7 June 2013 at the Mittelsächsisches Theater .
Act 1
Charlotte Corday arrives in Paris at dawn. In a square she meets Camille, her childhood friend, now a deputy to the National Convention. He is disappointed, defeated, and fears for his life. Amongst the crowd is Gaston, who tells Charlotte that he is the bodyguard and faithful friend of Marat. Their conversation is interrupted by a commotion which arises around a bakery. In play, a group of children act out the events of the Revolution. The square slowly empties out, except for a child who is left behind by his playmates, tied up as a victim. Charlotte releases and comforts him, thereby building up courage herself, then she buys a long-bladed knife and a shawl from a pedlar. Marat arrives surrounded by an adulating crowd which, at the same time, notices his fatigue and ill-health. Charlotte attracts his attention for a moment, then he continues on to the hall of the Convention. She does not know how to take advantage of the situation to kill him. Marat, received by the deputies with a mixture of hostility and respect, addresses the assembly.