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Charles Cozens Spencer


Charles Cozens Spencer (12 February 1874 – 1930) was a British-born film exhibitor and producer, who was a significant figure in the early years of the Australian film industry. He produced films under the name Spencer's Pictures and was an early backer of the films of Raymond Longford. He was also instrumental in the creation of "The Combine".

Spencer was born in Hunston, Sussex, the third son of Cornelius Cosens, farmer, and his wife Ellen. In 1892 he emigrated to British Columbia, Canada, with his brother Arthur in order to look for gold. He did a variety of jobs then in 1894 formed a company of providers with his prother Sidney at Fairview and Camp McKinney. In 1898 he was a clerk at Vernon. He began screening motions pictures and met and married Mart Stuart Huntly who became his chief projectionist and business partner.

Spencer first arrived in Australia in 1905. He opened the Great American Theatrescope at the Lyceum Theatre in Sydney and eventually turned the Lyceum as a permanent picture theatre from June 1908.

He made a fortune exhibiting The Great Train Robbery in Australia and soon became the leading exhibitor in the country. He moved into production, establishing a permanent production unit under Ernest Higgins in 1908. Initially focused on documentary shorts and newsreels, he moved into funding dramatic feature films, starting with The Life and Adventures of John Vane, the Notorious Australian Bushranger (1910).

He was an early supporter of director Raymond Longford who directed The Fatal Wedding (1911) for Spencer. The success of this film enabled him to set up a ₤10,000 studio complex in Rushcutter's Bay, Sydney, where Longford made his next couple of features.

By 1912 he was the largest importer of films in Australia and helped popularise the medium in that country.

In 1911, Spencer had established a company, Spencer's Pictures Ltd with a nominal capital of ₤150,000. He went overseas for 12 months; while overseas, the board of Spencers voted to merge with Wests Ltd and Amalgamated Pictures resulting in the "combine" of Australasian Films and Union Theatres.


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