Chalk Mark in a Rain Storm
| Chalk Mark in a Rain Storm | ||||
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| Studio album by Joni Mitchell | ||||
| Released | March 23, 1988 | |||
| Recorded | 1986–1987 | |||
| Genre | Adult alternative, pop rock, experimental | |||
| Length | 46:11 | |||
| Label | Geffen | |||
| Producer | Joni Mitchell, Larry Klein | |||
| Joni Mitchell chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Rolling Stone | |
| Robert Christgau | C |
| Hi-Fi News & Record Review | A*:1 |
Chalk Mark in a Rain Storm is the 13th album by Canadian singer-songwriter Joni Mitchell, released in 1988. It was her third for Geffen Records. The album features various duets with guest artists such as Peter Gabriel on "My Secret Place", Willie Nelson on "Cool Water", Don Henley on "Snakes and Ladders", Billy Idol and Tom Petty on the track "Dancin' Clown". Henley also performs backing vocals on "Lakota", and Wendy and Lisa perform backing vocals on "The Tea Leaf Prophecy (Lay Down Your Arms)".
In early 1986, Mitchell and Larry Klein visited Peter Gabriel's Ashcombe House recording studio in Bath, England. Since Gabriel had mostly finished his album So by that time, he offered Mitchell and Klein the use of his studio if they wanted to record. They did, and the result was the track "My Secret Place" which was a duet between Mitchell and Gabriel. Mitchell told Musician magazine about this song: "It's a love beginning song. The song's about the threshold of intimacy. It's a shared thing so I wanted it to be like the Song of Solomon, where you can't tell what gender it is. It's the uniting spirit of two people at the beginning of a relationship".
In February 1987, Mitchell saw Billy Idol performing his song "To Be A Lover" on the Grammy Awards show. She felt he captured the original spirit of rock'n'roll along with a new spark of energy, and would be perfect for a cameo on her song "Dancin' Clown". Idol came over to Mitchell's studio one evening a few days after the Grammys and recorded his part, complete with yelps and howls. Mitchell told Macleans magazine about this pairing up: "It was for the contrast he provided. It's a great little cameo for him, and he brings real life to the part." Later, Tom Petty recorded his cameo on the same song.
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