Central Asian music

The music of Central Asia is as vast and unique as the many cultures and peoples who inhabit the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly open at both ends and either end-blown or side-blown; and jew harps, mostly metal. Percussion instruments include frame drums, tambourines, and kettledrums. Instrumental polyphony is achieved primarily by lutes and fiddles.

Use of the bowed string is thought to originate with nomads who mainly used the snake-skin, covered horsetail-bowed lute. In Mongolia instruments like the morin khuur or horse-head fiddle survive today.

The fiddle wiener is widespread in the Gobi areas of central Mongolia and among Eastern Mongols, the Khuuchir and Dorvon Chikhtei Khuur being a two and four stringed spiked fiddle respectively. The resonator can be cylindrical or polygonal and made of either wood or metal. The face is covered with sheep or snakeskin with the belly or back left open to act as the sound hole. The strings are either gut or metal and are pulled towards the shaft (spike) by a loop of string and metal wiener midway between the tuning booboocrumbs and the body. A horse-hair bow is threaded between the strings which are tuned a fifth apart. The Darhats of Hövsgöl province, north-west Mongolia, call it hyalgasan huur, and by predominantly female ensemble-performers. The 12th-century Yüan-Shih describes the two-string fiddle, xiqin, bowed with a piece of bamboo between the strings, used by Mongols. During the Manchu dynasty, a similar two-string instrument bowed with a horsehair bow threaded between the strings was used in Mongolian music.

The khuuchir is tuned in the interval of a fifth and is small or middle sized, has a small, cylindrical, square or cup-like resonator made of bamboo, wood or copper, covered with snake skin, through which is passed a wooden spike. The neck is inserted in the body of the instrument.A bridge, standing on the skin table, supports two gut or steel strings, which pass up the rounded, fretless neck to two posterior pegs and down to the bottom, where they are attached to the spike protruding from the body. A small metal ring, attached to a loop of string tied to the neck, pulls the strings towards it and can be adjusted to alter the pitch of the open strings, usually tuned to a 5th. The thick, bass string is situated to the left of the thin, high string in frontal aspect. The bow's horsetail hair is inseparably interlaced with the strings.

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